• Skip to main content

Dan Bubien & The Delta Struts

  • About
  • NEWS
  • LYRICS
  • LISTEN & BUY
  • Schedule
  • Videos
  • Photos
  • CONTACT
  • Press Kit

News

Dec 04 2013

Dan Bubien: Roots Blues Reggae

Interview with Pennsylvanian Dan Bubien, his music has a blend of blues, soul, funk and Reggae

Posted by Michalis Limnios BLUES @ GREECE on December 3, 2013 at 3:10pm

 

“It’s (Blues) about real things and people, played and sung by real people, the content matter is universal; universal not only to age but generation as well, not sugar coated or made to appeal to what is in at the moment.”

Dan Bubien: Roots Blues Reggae

Dan Bubien is a singer, songwriter and guitarist from Aliquippa, Pennsylvania. Music was always a part of Dan’s life growing up even before his passion was realized. His father was a lifelong working musician. As a kid, Dan and his brother spent their time goofing off and running around at their dad’s shows and used to tease him for singing off-key. It wasn’t until a teenage injury sidelined his athletics that Dan picked up one of his Dad’s guitars and taught himself to play. With that, came a new appreciation for music and a realization of what his Dad did. What was once thought to be off-key was actually in perfect harmony.

 

 

Dan’s professional musical journey started nearly 20 years ago by fronting and playing with several local bands and musicians. It wasn’t until 2004 that Dan felt he had a clear sense of where he was as an artist and song writer and started the band that would carry him through the next decade. Dan always had an appreciation for blues, soul and funk music, but it was a popular reggae band that inspired the signature sound of The Sun Kings. Their unique flavor and approach to music was something new to the local scene and garnered them a significant following. That reputation has established Dan as a fixture and has allowed him to branch out on his own and come back to his roots by exploring new and ever evolving influences.

Dan recently wrapped a year long stretch of recording with four-time Grammy award winning producer/engineer Jay Dudt at Audible Images Studio in Pittsburgh.The new album, Empty Roads, is a collection of original music co-written with talented writer and friend, Roman Marocco and features the best of the best in Pittsburgh’s music scene.

 

Interview by Michael Limnios

 

What do you learn about yourself from the blues culture and what does the blues mean to you?

I learn to embrace my roots as a musician and the foundation to all music which I believe is the blues and by doing this you will stay on path to making and playing real music for real people.

 

What experiences in your life make you a GOOD BLUESMAN and SONGWRITER?

First off heartbreak. That will get you going on the path to the blues and songwriting. But to become good at both, I feel takes a lifetime’s worth of experiences. Not just your own but taking in other people’s and becoming aware of things that move you and how to translate these events/experiences into a song takes practice and time and awareness that just comes with time.

 

“I learn to embrace my roots as a musician and the foundation to all music which I believe is the blues and by doing this you will stay on path to making and playing real music for real people.”

How do you describe Dan Bubien sound and progress, what characterize your music philosophy?

I feel my sound and music philosophy if I have one is to stay versatile while staying true to real roots genres of music like blues, soul, funk, country, roots, even reggae. To me all these genres are related but all come from the blues.

 

Do you think that your music is as it started out with The Sun Kings?  Or has this changed in a new direction?

My music has definitely changed since The Sun Kings. The Sun Kings were primarily a reggae band where we infused funk and blues with my guitar playing which always goes to the blues. When I pick up a guitar blues is what I always play. Now though my music is taking on a more roots nature incorporating soul, funk, and country but always tying it into the blues.

 

What are the difference and similarity between the Blues and Reggae culture and music?

There are a lot of similarities. There are a lot of differences too.  They both have so many different styles within the genre and certain aspects of the music or the way you play or what you play that define it to that specific style… there’s Roots Rock Reggae, Lover’s Rock, One Drop, Steppers, Dancehall, So-Cal as there is Delta-Blues, Chicago Style, Memphis, Piedmont, Texas Style  on and on… Musically though they are pretty far apart from each other.  Fundamentally reggae is drum and bass driven, not a lot of guitar… really cool guitar but just not the driving present feature of the music, it’s really focused on rhythms and groove, very tight and smooth sound.  Blues a lot of the time is guitar driven – that is the fundamental or most present instrument so the playing to me is a lot more free and open and demanding as a guitarist and because of that demand of the guitar being #1 in the hierarchy of things it can be a raunchy and more overall raw sound to me than reggae.

 

Why did you think that the Blues music continues to generate such a devoted following?

Because it is undeniably real music.  It’s about real things and people, played and sung by real people, the content matter is universal; universal not only to age but generation as well, not sugar coated or made to appeal to what is in at the moment.

If you’re a real person into real things, how can you not be turned on by this music.

 

What’s the best jam you ever played in?  What are some of the most memorable gig’s you’ve had?

There’s been a lot of them but the one that sticks out in my mind was about 2 ½ years ago in 2011 at Mario’s in the South Side of Pittsburgh. My friend from New York City T.J. Swan was in town, he’s an incredible player/musician. Got to jam with him – it was intense.  The most memorable show was probably opening up for Anthony Gomes in Youngstown, OH a few years back – just was a great night – my band was really on at that time and we had a great night.

 

Are there any memories from recording and show time you’d like to share with us?

Getting to have Jimmie Ross from The Jaggerz come in and sing on the new album was an honor. They has a #1 hit with a song called The Rapper back in the day and are local legends and heroes.

 

Which memory as a kid from your dad shows makes you smile?  What is the best advice ever given?

Just seeing my dad up there playing his bass and then going for this ridiculous high harmony and hitting it. It was pretty cool to watch him do that.

 

“I feel my sound and music philosophy if I have one is to stay versatile while staying true to real roots genres of music like blues, soul, funk, country, roots, even reggae. To me all these genres are related but all come from the blues.”

Do you know why the sound of slide and resonator guitar is connected to the blues?  What are the secrets of it?

Well I know why they created the resonator guitar; so the guitarist in big bands could be heard before there was electricity. Maybe there were just a lot of cats just trying to be heard. Playing slide has taken me a long time to learn how to do. There is a lot of right hand muting involved. Vibrato is key, but the main thing is patience. It’s gonna take a while, at least it did for me.

 

Let’s take a trip with a time machine, so where and why would you really wanna o for a whole day…?

1of 2 times and places. I would have loved to seen SRV play live at some point – would have loved to been up close and watch him attack that thing. Or back in the 20’s or 30’3 at a Juke Joint taking in a whole scene in vibe going down.

 

Make an account of the case of the blues in Pennsylvania. 

There are a lot of great players and talented bands in the Pittsburgh area and there are really a lot of places for musicians to play and make some money doing so. I really think there is a good music community here especially blues community.  Everyone knows each other and has played with each other and seems to support each other to a point. I just wish in the city there was more of a support for live music – you have to go to the outskirts to find it and I feel there could be something really special here if places like the South Side embraced live music instead of the whole DJ/club thing. It could be very similar to Nashville’s Broadway Street area. The bands and musicians are great and ready.

 

Link to original article:  http://blues.gr/profiles/blogs/interview-with-pennsylvanian-dan-bubien-his-music-have-a-blend-of

 

 

Written by deltastruts1 · Categorized: News

Nov 22 2013

Donald and Sheryl Blues Blog- Nashville, TN

DAN BUBIEN

EMPTY ROADS

DAN BUBIEN MUSIC  (Self-Released)

EMPTY ROADS–FIGHT CLUB–CRAZY DAYS–EXILE BLUES–TO YOUNGSTOWN–BROTHER–DIZZY EYES–IRONY–KEEP LOVE IN MIND–LOVE GAMES–SNIPER

Growing up in Aliquippa, PA, Dan Bubien embraced more than just the hardscrabble, blue-collar blues of his homeland.  He also enjoyed funk, soul, reggae, and even Motown-ish R & B to give his repertoire a well-rounded vibe.  And, he incorporates virtually all his influences over the course of the eleven cuts that comprise “Empty Roads,” Dan’s debut CD.

Altho his father was a lifelong musician, Dan did not pick up the guitar until a sports injury during his youth sent him to the sidelines.  Add to that his incredible passion for songwriting that shows him able to always get his point across while not afraid to have a bit of fun along the way.

The set kicks off with one of our favorites, a serious shot of blues-rock that’s sure to evoke memories of vintage Little Feat, the title cut, “Empty Roads.”  Dan channels his softer, soulful side with sweet R & B-fueled cuts such as “Irony,” “Keep Love In Mind,” and “Crazy Days.”  “Dizzy Eyes” rides over a Latin, horn-drenched backbeat as Dan calls out the lies and deceit of an addict, knowing that those “dizzy eyes never lie.”

There’s plenty of gritty, tough blues, tho, for the hardcore fans.  Dan’s dobro over Timmy Mabin’s piano and Chris Nacy’s harp all accentuate the slightly-naughty lyrics of the shufflin’ “Exile Blues,” while “To Youngstown” is a sweet shot of pure Delta blues.  “Love Games” is an infectious dance-floor burner punctuated by a killer slide solo, while the set closes with the country-blues story of a somewhat-misguided stalker, “Sniper.”

Hands down, tho, our other favorite was “Fight Club,” which gets up offa its collective thang and funks up everything in its path, complete with staccato sax breaks throughout from Eric DeFade.

Dan Bubien’s intentions were to cover a broad spectrum of music, and “Empty Roads” achieves this goal.  It is the Western PA Blues Society entry into the Best Self-Produced CD for the 2014 IBC’s in Memphis.  His musicianship as well as the overall eclecticism of this set bodes well for its chances within the competition!  Until next time…Sheryl and Don Crow.

Original Link:  http://donandsherylsbluesblog.wordpress.com/

Written by deltastruts1 · Categorized: News

Nov 19 2013

Reflection in Blues Review

4PAN1T.qxdDan Bubien

Empty Roads

Dan Bubien Music

By Bill Wilson, Reflection in Blues

A singer/songwriter from Pennsylvania, Dan Bubien plays a blend of blues folk, soul, country and rock that flows from his innermost being like water from a mountain stream.  Empty Roads, the CD, has a timeless feel that takes the listener on a ride through time and space, painting pictures of a simpler time not that far in the past.  Though the songs are all original, each takes us to a time and place where we feel warm and comfortable.  Blues, rock, and soul blend seamlessly, allowing the listener to put himself into the picture as if the story being told was his and his alone.  This is the work of a man with a burning passion for the music and it comes through in every note.  The musicianship is flawless, the arrangements are delightful and right on the money and Bubien’s vocals are soulful, often reminiscent of Motown or other early soul.  Dan is well-versed in the music in so many of its forms and feels comfortable with it all.  There are so many styles exhibited here that there is no sense in even trying to put a label on it or put it in a box.  Funky, soulful, bluesy, down home and reminiscent of so much of what we have grown up with, Empty Roads is the soundtrack of our lives in so very many respects.  After listening to the disc multiple times I have come to the conclusion that if I had to pick a single word to describe it, that word would be comfortable.  Dan Bubien has a gift and a unique sound.  No, it is not strictly blues but it has a way of capturing the listener and holding his attention from start to finish.  If you are looking for a blues release, this one may not be what you are looking for but if you are feeling adventurous and grew up in that generation that cut its teeth on rock and roll, soul and the like, you might find it as intriguing as I did.  Dan offers us a look back to a time when music was real and not something that was designed solely for the purpose of having a number one hit.  Empty Roads speaks to us all, allowing us all to take from it just what we need.  There is something here for each and every one of us.

Web Site – http://www.danbubien.com/

FaceBook – https://www.facebook.com/DanBubienMusic?fref=ts

YouTube – http://www.youtube.com/results?search_query=+Dan+Bubien&sm=3

iTunes – https://itunes.apple.com/au/album/to-youngstown/id703221321?i=703221415&ign-mpt=uo%3D4
ReverbNation – http://www.reverbnation.com/danbubien

 

Link to original review:  http://chickenwilson2.blogspot.com/p/november-reviews.html

Written by deltastruts1 · Categorized: News

Nov 18 2013

Empty Roads #14 on PA Roots Charts

PA Blues Charts 111613

Written by deltastruts1 · Categorized: News

Nov 18 2013

Empty Roads #41 on World Wide Blues Charts

Week of November 16, 2013
 

Written by deltastruts1 · Categorized: News

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Page 5
  • Page 6
  • Go to Next Page »

Copyright © 2025 · Altitude Pro on Genesis Framework · WordPress · Log in